RCFS
Leading Turkish companies will showcase their innovations under the Turkish Pavilion at Africa Sourcing and Fashion Week (ASFW) 2025 in Nairobi, marking a significant step in strengthening trade relations between Turkey and Africa's burgeoning fashion market. The announcement, made today by ASFW 2025 organizers, highlights Turkey's renowned expertise in textiles, leather, and fashion innovation.
Made in Turkey Fabrics [Photo Credit: AA Photo]
The upcoming exhibition promises to be a cornerstone event for Africa's fashion and textile industry, bringing together continental businesses, vendors, exhibitors, and experts in leather and textiles, alongside fashion designers and industry professionals. The Turkish delegation will present their latest advances in garment manufacturing, sustainable leather production, and cutting-edge textile technologies, offering valuable opportunities for local companies to explore new sourcing options and partnerships.
ASFW 2025 Nairobi continues to serve as the region's premier trade fair, attracting decision-makers and industry leaders from across the globe. The event covers a comprehensive range of product categories, including fabrics, fashion, technology, home décor, leather, footwear, and related services. Exhibitors will have the opportunity to connect with target groups from retail, interior decoration, design, fashion, accessories, and manufacturing sectors.
"As an exhibitor at Africa Sourcing and Fashion Week Nairobi, participants will witness firsthand how this leading international trade fair sets benchmarks for the entire sector," stated the event organizers. The exhibition's international visitor profile and high proportion of decision-makers make it an essential indicator of industry trends and opportunities.
Turkish Textile Heritage and Modern Innovation
Turkey's textile industry represents a perfect blend of historical craftsmanship and modern innovation. The country's rich textile heritage encompasses not only functional products but also cultural artifacts that have become integral to global fashion narratives. From luxurious carpets to intricate embroidery, Turkish textiles continue to captivate international markets with their distinctive style and quality.
The strength of Turkish textile production lies in its use of premium natural fibers such as cotton, silk, and wool. These materials undergo careful processing to create durable and aesthetically pleasing fabrics. Cotton, known for its comfort, is widely used in everyday products like towels and bed linens. Silk, with its lustrous appearance and soft texture, is preferred for scarves and high-end garments. Local wool, sourced from Turkish sheep, provides the foundation for the country's world-renowned carpets and kilims, known for their durability and comfort.
A woman stands amid a mountain of cotton after harvesting in Antalya, southern Turkey, [AA Photo]
Contemporary Turkish designers are successfully bridging traditional techniques with modern aesthetics, creating innovative designs that appeal to both local and international markets. This fusion of architectural styles and traditional craftsmanship has positioned Turkish textiles at the forefront of fashion and home decoration innovation.
Economic Impact and Sustainability
The textile industry stands as one of Turkey's primary economic drivers, with exports reaching numerous countries worldwide. The sector's success is attributed to the exceptional quality of materials and the skilled craftsmanship of Turkish artisans. Beyond its economic significance, the industry plays a crucial social role by employing millions of people, supporting local communities, and preserving traditional crafts.
Made in Turkey Fabrics [Photo Credit: AA Photo]
With Africa's textile and leather industries experiencing significant growth, the participation of Turkish companies at ASFW 2025 Nairobi presents an unprecedented opportunity for knowledge exchange and business expansion. The exhibition will serve as a platform for establishing sustainable partnerships and exploring new market opportunities between Turkish manufacturers and African businesses.
Interested participants are encouraged to register early for this landmark event. The organizers will continue to provide updates on additional features and participating delegations as the exhibition date approaches.
Turkish Pavilion to Showcase at Africa Sourcing and Fashion Week 2025, in Nairobi
Leading Turkish companies will showcase their innovations under the Turkish Pavilion at Africa Sourcing and Fashion Week (ASFW) 2025 in Nairobi, marking a significant step in strengthening trade relations between Turkey and Africa's burgeoning fashion market. The announcement, made today by ASFW 2025 organizers, highlights Turkey's renowned expertise in textiles, leather, and fashion innovation.
Made in Turkey Fabrics [Photo Credit: AA Photo]
The upcoming exhibition promises to be a cornerstone event for Africa's fashion and textile industry, bringing together continental businesses, vendors, exhibitors, and experts in leather and textiles, alongside fashion designers and industry professionals. The Turkish delegation will present their latest advances in garment manufacturing, sustainable leather production, and cutting-edge textile technologies, offering valuable opportunities for local companies to explore new sourcing options and partnerships.
ASFW 2025 Nairobi continues to serve as the region's premier trade fair, attracting decision-makers and industry leaders from across the globe. The event covers a comprehensive range of product categories, including fabrics, fashion, technology, home décor, leather, footwear, and related services. Exhibitors will have the opportunity to connect with target groups from retail, interior decoration, design, fashion, accessories, and manufacturing sectors.
"As an exhibitor at Africa Sourcing and Fashion Week Nairobi, participants will witness firsthand how this leading international trade fair sets benchmarks for the entire sector," stated the event organizers. The exhibition's international visitor profile and high proportion of decision-makers make it an essential indicator of industry trends and opportunities.
Turkish Textile Heritage and Modern Innovation
Turkey's textile industry represents a perfect blend of historical craftsmanship and modern innovation. The country's rich textile heritage encompasses not only functional products but also cultural artifacts that have become integral to global fashion narratives. From luxurious carpets to intricate embroidery, Turkish textiles continue to captivate international markets with their distinctive style and quality.
The strength of Turkish textile production lies in its use of premium natural fibers such as cotton, silk, and wool. These materials undergo careful processing to create durable and aesthetically pleasing fabrics. Cotton, known for its comfort, is widely used in everyday products like towels and bed linens. Silk, with its lustrous appearance and soft texture, is preferred for scarves and high-end garments. Local wool, sourced from Turkish sheep, provides the foundation for the country's world-renowned carpets and kilims, known for their durability and comfort.
A woman stands amid a mountain of cotton after harvesting in Antalya, southern Turkey, [AA Photo]
Contemporary Turkish designers are successfully bridging traditional techniques with modern aesthetics, creating innovative designs that appeal to both local and international markets. This fusion of architectural styles and traditional craftsmanship has positioned Turkish textiles at the forefront of fashion and home decoration innovation.
Economic Impact and Sustainability
The textile industry stands as one of Turkey's primary economic drivers, with exports reaching numerous countries worldwide. The sector's success is attributed to the exceptional quality of materials and the skilled craftsmanship of Turkish artisans. Beyond its economic significance, the industry plays a crucial social role by employing millions of people, supporting local communities, and preserving traditional crafts.
Made in Turkey Fabrics [Photo Credit: AA Photo]
With Africa's textile and leather industries experiencing significant growth, the participation of Turkish companies at ASFW 2025 Nairobi presents an unprecedented opportunity for knowledge exchange and business expansion. The exhibition will serve as a platform for establishing sustainable partnerships and exploring new market opportunities between Turkish manufacturers and African businesses.
Interested participants are encouraged to register early for this landmark event. The organizers will continue to provide updates on additional features and participating delegations as the exhibition date approaches.
Regenerative Fashion Takes Center Stage as Renowned Rwandan Designers BONE and Native 1018 Join Nairobi Fashion Week 2025
NAIROBI, KENYA —Nairobi Fashion Week (NFW) is proud to announce that renowned Rwandan designers BONE and Native 1018 will be showcasing their groundbreaking collection of regenerative fashion at the seventh edition of the event.This marks a pivotal moment for both the designers and the fashion industry, as regenerative fashion—a sustainable, eco-conscious approach to design—takes center stage in one of Africa’s most prestigious fashion showcases.
Bone and Native 1018, known for their innovative use of sustainable materials, circular design practices, and commitment to environmental regeneration, are set to present a collection that not only celebrates the beauty of African culture but also leads the charge toward a more sustainable future in fashion. With a focus on reusing, upcycling, and regenerating materials, the designer’s work embodies the ethos of responsibility and care for the planet.
“Season 7 of NFW represents a powerful platform to amplify meaningful narratives through fashion. I was inspired by its commitment to sustainability and the opportunity to connect with other creatives who share a vision of transforming the industry. Participating in this season aligns perfectly with my ethos of using art and design to shape a better future,” says Maurice Niyigena, Fashion Designer and Creative Director BONE.
A collection made by Bone [Photo Credit: Bone]
“The theme resonates deeply with my Movement/collection, Exodus (Kuva in Kinyarwanda), which explores the movement of creative ideas and the breaking of conventions. Sustainability, both as a theme and practice, is integral to my designs, as I believe in creating garments that tell stories while honoring the environment and the communities that inspire them.”
With a bold new theme: Regenerative Fashion Renaissance: Restoring Culture and Nature, this year’s NFW event will shine a spotlight on fashion that not only reduces harm to the planet but actively works towards restoring it. Taking place from January 29th to 1st February 2025 at the Sarit Center, the fashion week promises to be a groundbreaking celebration of creativity, sustainability, and innovation, drawing attention to the pressing need for a more responsible and circular fashion industry.
ALSO READ: Regenerative Fashion Renaissance: Nairobi Fashion Week 2025
“We were inspired to be part of Season 7 of NFW because we believe in the power of fashion to tell stories and create change. This season’s theme aligns with our work as it emphasizes the blend of modern trends with cultural elements, which is central to our designs. It’s important for the fashion industry to embrace sustainability because it helps protect our planet and encourages responsible consumption,” says Timmy and Yee, of Native 1018.
The collections made by Native 1018 [Photo Credit: N1018]
The 2025 edition of Nairobi Fashion Week will feature a stellar lineup of designers, models, and influencers from across the globe. With the global fashion industry accounting for significant environmental challenges, the urgency for regenerative fashion has never been more critical. Nairobi Fashion Week 2025 will feature designers who are leading this change, pushing boundaries to make recycling and upcycling integral parts of fashion production and consumption. The event will also provide a platform for industry leaders, environmental activists, and sustainability experts to discuss the future of recycling in fashion and the broader potential for a circular economy in the industry. By shifting towards a circular fashion model, Nairobi Fashion Week aims to change the narrative, illustrating how the fashion industry can be part of the solution rather than the problem.
“The theme aligns with our vision of positioning Africa as a global leader in sustainability. We are working to establish a platform for sustainable designers across Africa, rooted in the region's cultural values. Our goal is to promote organic fabrics and sustainable fashion, and we believe this platform will help us reclaim and celebrate our story," says Brian Kihindas, Creative Director of Nairobi Fashion Week.
Brian Kihindas, Creative Director of Nairobi Fashion Week.
“Recycling in fashion isn’t just about turning old clothes into new garments. It’s about creating a system where fashion becomes a regenerative force, where nothing goes to waste and everything has a second life. Nairobi Fashion Week 2025 will showcase the exciting possibilities that circular fashion holds for the future, not just for Africa, but for the world,” says Lisa Kibutu, Sponsor and Production Lead at NFW.
Dynamic Race PR initiated Nairobi Fashion Week (NFW) in 2013 with the goal of advancing the fashion industry in East Africa. The event bridges emerging and established designers with both local and international buyers and stockists. In 2023, NFW launched the JUST Fashion campaign, promoting sustainability through responsible sourcing, eco-friendly materials, and ethical production. Additionally, NFW introduced the Fashion Frontier Africa (FFA) incubator program in partnership with European e-tailor Cultrite, aimed at supporting African designers with mentorship and business development opportunities. After completing its first cohort, FFA aims to reach 500 African designers. Having successfully completed six seasons, NFW continues to be a driving force for the future of fashion in Africa.
Letitia Uwera Collaborates With Moshions On New Collection Inspired By Japanese Kintsugi
"I am a fashion designer and founder of Boldy Bonza, and I'm thrilled to be part of Kwanda Season 3," says Letitia Uwera, marking an exciting new chapter in her fashion career.
The former model is embarking on an ambitious collaboration with Moshions, one of Rwanda's most prestigious fashion brands. Before transitioning to fashion design, Uwera established herself as a prominent figure in Rwanda's modeling industry, gracing runways and appearing in numerous commercial campaigns throughout Kigali.
Letitia Uwera on the runway in 2017 showcasing a collection made by Moshions [Photo Credit: NIBS]
Moshions recently announced, "Kwanda Hub Season 3 welcomes our second creative finalist, Uwera, for an exclusive eight-week journey with KWS3. The program is proudly supported by Institut Français du Rwanda."
Uwera's journey into fashion design began in 2020, quickly making waves with her distinctive aesthetic. Her work has already been featured in several prestigious shows, including a notable appearance at Mercedes-Benz Fashion Week Kigali 2022, where her collections caught the attention of fashion enthusiasts.
The collections made by Boldy Bonza were showcased at the Mercedes-Benz Fashion Week Kigali 2022
"I was amazed to discover her collections," remarked one fashion enthusiast in Kigali. "I knew her as a model, but her talent as a designer is truly impressive."
Speaking about the upcoming collaboration, Uwera revealed her inspiration: "The collection we're creating with Moshions is inspired by Kintsugi, the Japanese art of repairing broken pottery with gold, enhancing its value through transformation."
Kintsugi is a Japanese art form that involves repairing broken pottery with lacquer and gold, silver, or platinum powder [Photo Credit: NT]
Moses Turahirwa, founder of Moshions, spoke to RCS Media in December 2024 in Nairobi about the evolution of Kwanda Hub: "Kwanda Hub Season 3 extends beyond Moshions. It's about nurturing creative talent and providing a platform for other designers to showcase their collections." He added, "The collections displayed at the Erika Store in Karen include work from various Rwandan creators. Their unique creativity inspires me, and we'll continue supporting emerging talent."
The collaboration has generated excitement within the fashion community. Ysolde Gasam, Co-Founder of Uzuri K&Y, enthusiastically commented, "This is the collaboration we never knew we needed. Can't wait to see the results!"
Another Kigali-based fashion observer noted, "This initiative demonstrates Moshions' commitment to industry growth rather than competition. It sets an example for established designers to mentor and empower emerging talent."
The collections were made by Boldy Bonza and founded by Letitia Uwera [Photo Credit: LU ]
For Uwera, this collaboration represents an opportunity to elevate her brand: "This is the perfect platform to express my identity and share our cultural story with the world. I'm excited to see what emerges from this partnership."
Letitia Uwera is a long-serving model in Rwanda's fashion industry [Photo Credit: LU ]
The program also includes other talented creators, such as Jack Nyinzingabo, known as Yakubu Motari, who will focus on jacket design and styling. "I'm looking forward to working with Moses and the team to contribute to the lifestyle aspect of the collection," Nyinzingabo shared.
Jack Nyinzingabo, known as Yakubu Motari [Photo Credit: NM]
Western Pressure Undermines East African Unity on Second-Hand Clothing Ban, Says Rwanda's Kagame
President Paul Kagame of Rwanda has revealed how Western countries, particularly the United States, undermined regional efforts to reduce second-hand clothing imports in East Africa, leading to Rwanda's exclusion from the African Growth and Opportunity Act (AGOA).
Speaking at a diplomatic luncheon in Kigali on Thursday, January 16, Kagame reflected on Rwanda's diplomatic relations in 2024 while addressing the controversial decision that put his country at odds with Western trade partners.
"AGOA was supposed to be a wonderful thing, meant to serve all of us. But Rwanda made what I would call a happy mistake," Kagame explained. "We decided to grow our textile industry by reducing what we locally call 'chagua' (second-hand clothing). We believed this aligned with AGOA's goal of helping us progress."
H.E President Paul Kagame of Rwanda speaking at a diplomatic luncheon in Kigali on Thursday, January 16
The journey to reduce second-hand clothing imports began between 2014 and 2015 when Rwanda, alongside other East African nations, was willing to implemente the "Made in East Africa" policy to boost local manufacturing, including the fashion sector. The initiative included increased taxation on second-hand clothing imports and measures to gradually phase them out.
However, Kagame revealed a previously untold aspect of this story: "We had agreed with other countries in the region to take this approach together. Before we realized what was happening, these countries had been persuaded to reverse their decision – without informing us. The next day, Rwanda was struck off the list of AGOA beneficiaries simply because of our 'stubbornness' in refusing chagua imports."
The 2016 suspension of Rwanda's AGOA benefits for apparel exports raised concerns about the country's ability to sustain its nascent fashion and textile industries. However, recent developments suggest the decision may have yielded positive results despite initial hardships.
ALSO READ: Can SDGs for Better Fashion Work in Africa?
A prominent Rwandan fashion expert, interviewed in 2023, defended the government's stance: "Looking back, the decision was necessary for our country's development. We now have many fashion designers, and Rwandans increasingly understand why we need to stop second-hand imports completely, even though the transition remains challenging."
FIFA President Gianni Infantino and his wife Leena show off the Ijezi made by Rwandan fashion brand the House of Tayo, at the just concluded 73rd FIFA Congress in Kigali. [PHOTO NT]
The expert addressed public health concerns, questioning the practice of wearing second-hand undergarments and socks. He also highlighted the environmental impact visible in neighboring countries, where discarded second-hand clothing pollutes rivers and cities.
The issue has resonated with other regional leaders, including Uganda's President Yoweri Museveni, who strongly opposed the practice, stating, "These are clothes of dead people; Ugandans do not deserve to wear them."
In his concerted effort to promote the “Buy Uganda Build Uganda” (BUBU) national policy, President Yoweri Museveni has banned the importation of second hand clothes also locally known as Mivumba . In this picture, H.E Museveni was inaugurating a Chinese textile factory.
Critics initially pointed to job losses in the second-hand clothing sector following import restrictions and increased tariffs. However, supporters argue that the long-term benefits of developing a local textile industry outweigh the short-term economic impact.
“This is the choice we find that we have to make. As far as I am concerned, making the choice is simple [although] we might suffer consequences… Rwanda and other countries in the region that are part of AGOA, have to do other things – we have to grow and establish our industries,” Rwanda’s Paul Kagame said in 2017.
A model showcasing made in Rwanda collection- Inside the Asantii's atelier at Kimihurura in Kigali [Photo Credit: Asantii]
Rwanda's stance on second-hand clothing imports reflects a broader debate about economic independence and sustainable development in East Africa. While Western trade partners used economic leverage through AGOA to maintain their export markets, Rwanda's determination to protect its emerging textile industry demonstrates the complex challenges facing African nations as they pursue economic transformation.
The controversy highlights the ongoing tension between international trade agreements and national development strategies, particularly in emerging economies seeking to build their manufacturing capabilities. Despite losing AGOA benefits, Rwanda's commitment to reducing second-hand clothing imports appears unchanged, suggesting a prioritization of long-term industrial development over short-term trade advantages.
Western Pressure Undermines East African Unity on Second-Hand Clothing Ban, Says Rwanda's Kagame
President Paul Kagame of Rwanda has revealed how Western countries, particularly the United States, undermined regional efforts to reduce second-hand clothing imports in East Africa, leading to Rwanda's exclusion from the African Growth and Opportunity Act (AGOA).
Speaking at a diplomatic luncheon in Kigali on Thursday, January 16, Kagame reflected on Rwanda's diplomatic relations in 2024 while addressing the controversial decision that put his country at odds with Western trade partners.
"AGOA was supposed to be a wonderful thing, meant to serve all of us. But Rwanda made what I would call a happy mistake," Kagame explained. "We decided to grow our textile industry by reducing what we locally call 'chagua' (second-hand clothing). We believed this aligned with AGOA's goal of helping us progress."
H.E President Paul Kagame of Rwanda speaking at a diplomatic luncheon in Kigali on Thursday, January 16
The journey to reduce second-hand clothing imports began between 2014 and 2015 when Rwanda, alongside other East African nations, was willing to implemente the "Made in East Africa" policy to boost local manufacturing, including the fashion sector. The initiative included increased taxation on second-hand clothing imports and measures to gradually phase them out.
However, Kagame revealed a previously untold aspect of this story: "We had agreed with other countries in the region to take this approach together. Before we realized what was happening, these countries had been persuaded to reverse their decision – without informing us. The next day, Rwanda was struck off the list of AGOA beneficiaries simply because of our 'stubbornness' in refusing chagua imports."
The 2016 suspension of Rwanda's AGOA benefits for apparel exports raised concerns about the country's ability to sustain its nascent fashion and textile industries. However, recent developments suggest the decision may have yielded positive results despite initial hardships.
ALSO READ: Can SDGs for Better Fashion Work in Africa?
A prominent Rwandan fashion expert, interviewed in 2023, defended the government's stance: "Looking back, the decision was necessary for our country's development. We now have many fashion designers, and Rwandans increasingly understand why we need to stop second-hand imports completely, even though the transition remains challenging."
FIFA President Gianni Infantino and his wife Leena show off the Ijezi made by Rwandan fashion brand the House of Tayo, at the just concluded 73rd FIFA Congress in Kigali. [PHOTO NT]
The expert addressed public health concerns, questioning the practice of wearing second-hand undergarments and socks. He also highlighted the environmental impact visible in neighboring countries, where discarded second-hand clothing pollutes rivers and cities.
The issue has resonated with other regional leaders, including Uganda's President Yoweri Museveni, who strongly opposed the practice, stating, "These are clothes of dead people; Ugandans do not deserve to wear them."
In his concerted effort to promote the “Buy Uganda Build Uganda” (BUBU) national policy, President Yoweri Museveni has banned the importation of second hand clothes also locally known as Mivumba . In this picture, H.E Museveni was inaugurating a Chinese textile factory.
Critics initially pointed to job losses in the second-hand clothing sector following import restrictions and increased tariffs. However, supporters argue that the long-term benefits of developing a local textile industry outweigh the short-term economic impact.
“This is the choice we find that we have to make. As far as I am concerned, making the choice is simple [although] we might suffer consequences… Rwanda and other countries in the region that are part of AGOA, have to do other things – we have to grow and establish our industries,” Rwanda’s Paul Kagame said in 2017.
A model showcasing made in Rwanda collection- Inside the Asantii's atelier at Kimihurura in Kigali [Photo Credit: Asantii]
Rwanda's stance on second-hand clothing imports reflects a broader debate about economic independence and sustainable development in East Africa. While Western trade partners used economic leverage through AGOA to maintain their export markets, Rwanda's determination to protect its emerging textile industry demonstrates the complex challenges facing African nations as they pursue economic transformation.
The controversy highlights the ongoing tension between international trade agreements and national development strategies, particularly in emerging economies seeking to build their manufacturing capabilities. Despite losing AGOA benefits, Rwanda's commitment to reducing second-hand clothing imports appears unchanged, suggesting a prioritization of long-term industrial development over short-term trade advantages.
How to Build a Successful Fashion Brand in Kenya: Insights from Fashion Expert Mr. Meitamei Saitoti
Kenya stands as the leading economy in East Africa, attracting investors from across the globe. The country has witnessed a significant shift in mindset among its youth, particularly recent college and university graduates, who increasingly embrace entrepreneurship rather than solely pursuing government employment. This entrepreneurial spirit has given rise to what locals call "side hustles," with many maintaining small businesses even alongside regular employment.
The fashion sector in Kenya has emerged as a vibrant space for entrepreneurship, where business owners invest not just capital, but also their creativity, skills, and time. These fashion entrepreneurs actively engage in social media promotion, organize professional photoshoots for new collections, and employ various strategies to build their brand presence.
For the past three years, RCFS's Media has been reporting directly from Nairobi, Kenya's capital city. Our team has covered numerous fashion events and documented the journeys of both emerging designers and established professionals who are revolutionizing Kenya's fashion industry.
Students inside the Delight Fashion School in Nairobi
To understand the key elements of building a successful fashion brand in Kenya, we spoke with Mr. Meitamei Saitoti, a distinguished leader in fashion education and Director of Delight Technical College and Delight Africa Corporate Training Solutions. Under his leadership, Delight Fashion School has become a pioneer in circular and sustainable fashion, incorporating eco-friendly practices into its curriculum to develop environmentally conscious designers.
Mr. Meitamei Saitoti, a distinguished leader in fashion education and Director of Delight Technical College, during the Eco Fashion Week 2024 in Nairobi
Mr. Saitoti outlines several crucial elements for fashion brand success:
Finding Your Niche
"Fashion designers must focus on what makes their brand unique," explains Saitoti. "This differentiation is crucial in a competitive market."
Creating a Strong Brand Identity
"Developing a memorable logo, name, and compelling brand story is fundamental," he emphasizes. "These elements form the foundation of your brand's recognition and appeal."
Ensuring Quality
Saitoti stresses the importance of creating stylish and durable products. "Quality is non-negotiable in building a lasting fashion brand."
Building Online Presence
"A strong digital presence through websites and social media is essential for showcasing collections and engaging with customers," notes Saitoti.
Strategic Marketing
"Success requires investment in advertising, influencer partnerships, and local promotions," he advises. "Collaboration with other brands, retailers, or influencers can significantly expand your reach."
Understanding the Market
Saitoti emphasizes staying current with fashion trends and events while providing exceptional customer service. "Personalized, responsive support and honest communication with clients are crucial, especially in handling sales issues or returns."
Going Global
"Think beyond local markets by leveraging global online platforms," suggests Saitoti. "But remember to maintain consistency and patience as your brand grows."
Mr. Saitoti's vision extends beyond conventional fashion education. At Delight Technical College, he has implemented cutting-edge technical education programs that address global challenges like waste reduction and ethical sourcing. The institution's state-of-the-art facilities and expert faculty focus on fostering innovation and excellence in technical education.
Students from the Delight Fashion School in Nairobi
Through his leadership at Delight Fashion School, Saitoti has established a hub for sustainable fashion education, making significant contributions to advancing circular fashion principles in Kenya's fashion industry. His commitment to nurturing innovative talent while promoting environmental consciousness has positioned the school as a leader in sustainable fashion education.
The collections made by the students of the Delight Fashion School in Nairobi
This comprehensive approach to fashion entrepreneurship, combining business acumen with sustainable practices, exemplifies the evolution of Kenya's fashion industry and its potential for global impact.
Mr. Meitamei Saitoti, a distinguished leader in fashion education and Director of Delight Technical College
Graduation of the Delight Fashion School in Nairobi 2024
Graduation of the Delight Fashion School in Nairobi 2024
What Will Africa Gain from the Global Textile Expo in New Delhi? Inside BHARAT TEX 2025
"The thread of Bharat Tex connects the glorious history of Indian tradition with today's talent; technology with traditions; and is a thread to bring together style, sustainability, scale and skill," declared Indian Prime Minister Narendra Modi, inviting global participation in what promises to be one of the world's largest textile exhibitions.
BHARAT TEX 2025, scheduled for February 14-17, 2025, represents an unprecedented collaboration between 12 Indian Textile Export Promotion Councils (EPCs) and the Ministry of Textiles, Government of India. This mammoth event will unfold across two premier venues: the prestigious Bharat Mandapam in New Delhi and the expansive India Expo Centre and Mart in Greater Noida.
The exhibition emerges at a crucial time when global textile markets are increasingly focusing on sustainable practices. "BHARAT TEX 2025 is where innovation meets responsibility. This year's edition emphasizes sustainable fashion, showcasing the best of trade, technology, and tradition," the organizers emphasized, highlighting India's commitment to environmental consciousness in textile manufacturing.
The scale of the event is remarkable, with over 2.2 million square feet of exhibition space at Bharat Mandapam alone. Visitors will encounter a comprehensive display of the entire textile value chain, from raw materials to finished products. The showcase includes everything from contemporary apparel and home furnishings to traditional handicrafts, alongside an extensive collection of fabrics, yarns, fibers, and threads. Technical textiles and innovative textile products will demonstrate India's manufacturing capabilities.
Giriraj Singh, India's Union Minister of Textile, underscores the sector's significance: "The textiles sector offers tremendous employment opportunities and holds a substantial share in global exports." This statement reflects India's vision of strengthening its position as a global textile manufacturing hub.
The secondary venue at India Expo Centre and Mart in Greater Noida will host complementary exhibitions from February 12-15, 2025, focusing on machinery, chemicals, and dyes essential to the textile industry. The event anticipates hosting over 5,000 exhibitors worldwide, attracting 6,000 overseas buyers from more than 110 countries, and welcoming over 120,000 visitors.
The conference program features over 60 sessions exploring cutting-edge trends in the textile ecosystem. Attendees will benefit from CEO roundtables, Government-to-Government meetings, and Business-to-Business interactions. Global sessions will address critical issues such as value chain resilience, ESG initiatives, and future fashion trends, while India-specific sessions will highlight policy support and investment opportunities in the textile sector.
ALSO READ: What to Expect on Global Scene in the Sustainable Fashion Trends for 2025
Pabitra Marghetrita, Hon. Union Minister of State for Textiles and External Affairs, emphasizes the industry's socioeconomic impact: "The textile industry is the backbone of our economy, and its growth has the potential to uplift the lives of millions of people."
Hon’ble Union Minister of Textiles, Shri Giriraj Singh inaugurated the curtain raiser of Bharat tex 2025 at Vanijya Bhawan
For Africa, BHARAT TEX 2025 presents both opportunities and challenges. The continent's historical textile trade relationship with India, documented in the Leiden University research "Common Threads: fabrics made-in-India for Africa," spans millennia. However, African participation faces practical constraints.
A Kampala-based fashion designer expresses interest but cites financial limitations: "I would like to attend, but while I can manage accommodation, the flight costs are prohibitive." This sentiment echoes across the continent, highlighting the need for support mechanisms to enable African participation.
David Karimu, a fabric trader operating across Kenya, Rwanda, and Tanzania, represents the cautiously optimistic perspective: "My business partner and I are considering attending to explore new fabrics and trends." This indicates the potential value African businesses see in the exposition.
Eric Muhooza, an industry expert, offers a nuanced view of the expo's significance for Africa: "While BHARAT TEX 2025 offers valuable learning opportunities, particularly for major textile businesses, the scale might overwhelm smaller African manufacturers. However, this presents an excellent opportunity for African governments to send fashion designers and trade fair organizers to gain experience and insights."
ALSO READ: Minister of Textiles Inaugurates India Pavilion at Heimtextil 2025, Frankfurt, Germany.
The expo's appeal extends beyond Africa, as evidenced by the Myanmar Garment Manufacturers Association's (MGMA) enthusiastic response. Their December 2024 invitation to member companies highlighted the event's comprehensive scope, from traditional handloom fabrics to cutting-edge manufacturing technologies.
BHARAT TEX 2025 represents more than just a trade show; it's a convergence of heritage and innovation, traditional craftsmanship and modern manufacturing. For Africa, it offers a window into the future of sustainable textile production while highlighting the challenges of global market participation. The event underscores the need for strategic partnerships and support mechanisms to enable African businesses to fully engage with and benefit from such international platforms.
In 2023 Kenya and India joined partnerships to boost the textiles industry.
As the textile industry evolves toward sustainability and technological advancement, BHARAT TEX 2025 stands as a testament to India's leadership in bridging traditional expertise with future demands. For Africa, the expo presents an opportunity to strengthen trade relationships, gain technological insights, and explore new pathways in the global textile market.
What Will Africa Gain from the Global Textile Expo in New Delhi? Inside BHARAT TEX 2025
"The thread of Bharat Tex connects the glorious history of Indian tradition with today's talent; technology with traditions; and is a thread to bring together style, sustainability, scale and skill," declared Indian Prime Minister Narendra Modi, inviting global participation in what promises to be one of the world's largest textile exhibitions.
BHARAT TEX 2025, scheduled for February 14-17, 2025, represents an unprecedented collaboration between 12 Indian Textile Export Promotion Councils (EPCs) and the Ministry of Textiles, Government of India. This mammoth event will unfold across two premier venues: the prestigious Bharat Mandapam in New Delhi and the expansive India Expo Centre and Mart in Greater Noida.
The exhibition emerges at a crucial time when global textile markets are increasingly focusing on sustainable practices. "BHARAT TEX 2025 is where innovation meets responsibility. This year's edition emphasizes sustainable fashion, showcasing the best of trade, technology, and tradition," the organizers emphasized, highlighting India's commitment to environmental consciousness in textile manufacturing.
The scale of the event is remarkable, with over 2.2 million square feet of exhibition space at Bharat Mandapam alone. Visitors will encounter a comprehensive display of the entire textile value chain, from raw materials to finished products. The showcase includes everything from contemporary apparel and home furnishings to traditional handicrafts, alongside an extensive collection of fabrics, yarns, fibers, and threads. Technical textiles and innovative textile products will demonstrate India's manufacturing capabilities.
Giriraj Singh, India's Union Minister of Textile, underscores the sector's significance: "The textiles sector offers tremendous employment opportunities and holds a substantial share in global exports." This statement reflects India's vision of strengthening its position as a global textile manufacturing hub.
The secondary venue at India Expo Centre and Mart in Greater Noida will host complementary exhibitions from February 12-15, 2025, focusing on machinery, chemicals, and dyes essential to the textile industry. The event anticipates hosting over 5,000 exhibitors worldwide, attracting 6,000 overseas buyers from more than 110 countries, and welcoming over 120,000 visitors.
The conference program features over 60 sessions exploring cutting-edge trends in the textile ecosystem. Attendees will benefit from CEO roundtables, Government-to-Government meetings, and Business-to-Business interactions. Global sessions will address critical issues such as value chain resilience, ESG initiatives, and future fashion trends, while India-specific sessions will highlight policy support and investment opportunities in the textile sector.
ALSO READ: What to Expect on Global Scene in the Sustainable Fashion Trends for 2025
Pabitra Marghetrita, Hon. Union Minister of State for Textiles and External Affairs, emphasizes the industry's socioeconomic impact: "The textile industry is the backbone of our economy, and its growth has the potential to uplift the lives of millions of people."
Hon’ble Union Minister of Textiles, Shri Giriraj Singh inaugurated the curtain raiser of Bharat tex 2025 at Vanijya Bhawan
For Africa, BHARAT TEX 2025 presents both opportunities and challenges. The continent's historical textile trade relationship with India, documented in the Leiden University research "Common Threads: fabrics made-in-India for Africa," spans millennia. However, African participation faces practical constraints.
A Kampala-based fashion designer expresses interest but cites financial limitations: "I would like to attend, but while I can manage accommodation, the flight costs are prohibitive." This sentiment echoes across the continent, highlighting the need for support mechanisms to enable African participation.
David Karimu, a fabric trader operating across Kenya, Rwanda, and Tanzania, represents the cautiously optimistic perspective: "My business partner and I are considering attending to explore new fabrics and trends." This indicates the potential value African businesses see in the exposition.
Eric Muhooza, an industry expert, offers a nuanced view of the expo's significance for Africa: "While BHARAT TEX 2025 offers valuable learning opportunities, particularly for major textile businesses, the scale might overwhelm smaller African manufacturers. However, this presents an excellent opportunity for African governments to send fashion designers and trade fair organizers to gain experience and insights."
ALSO READ: Minister of Textiles Inaugurates India Pavilion at Heimtextil 2025, Frankfurt, Germany.
The expo's appeal extends beyond Africa, as evidenced by the Myanmar Garment Manufacturers Association's (MGMA) enthusiastic response. Their December 2024 invitation to member companies highlighted the event's comprehensive scope, from traditional handloom fabrics to cutting-edge manufacturing technologies.
BHARAT TEX 2025 represents more than just a trade show; it's a convergence of heritage and innovation, traditional craftsmanship and modern manufacturing. For Africa, it offers a window into the future of sustainable textile production while highlighting the challenges of global market participation. The event underscores the need for strategic partnerships and support mechanisms to enable African businesses to fully engage with and benefit from such international platforms.
In 2023 Kenya and India joined partnerships to boost the textiles industry.
As the textile industry evolves toward sustainability and technological advancement, BHARAT TEX 2025 stands as a testament to India's leadership in bridging traditional expertise with future demands. For Africa, the expo presents an opportunity to strengthen trade relationships, gain technological insights, and explore new pathways in the global textile market.
The Business of Fashion – Trading in Africa & Beyond 2025: Discussions to Take Place in Ethiopia
The Core Fashion from Kenya is set to host a groundbreaking fashion industry dialogue in partnership with The Hub of Africa Fashion Week 2025. This exclusive Addis Ababa Edition will take place on Thursday, January 23rd, at the prestigious Hyatt Regency Addis Ababa from 10 AM to 12 PM, focusing on "The Business of Fashion – Trading in Africa & Beyond."
The event promises to be a pivotal gathering for fashion industry stakeholders, bringing together leading designers, textile manufacturers, investors, and industry experts from across the continent. Powered by strategic partners DHL and New Faces New Voices, the discussions aim to address critical challenges and opportunities within Africa's rapidly evolving fashion landscape.
Industry analysts predict that Africa's fashion industry could be worth over $15 billion by 2025, making these discussions particularly timely. The symposium will explore various crucial aspects of the fashion business ecosystem, from production and distribution to market access and consumer behavior.
According to the current challenges facing the fashion industry in Africa, key topics for discussion may include the current state of Africa's fashion business environment, examining both challenges and opportunities. Panelists will address significant barriers such as cross-border trade restrictions, cultural differences, and complex governmental policies affecting the industry. Special attention will be given to immigration regulations and tax frameworks that impact fashion businesses operating across African markets.
Discussions during the Hub of Africa Fashion Week 2024 [Photo Credit: HAFW]
The roundtable will also tackle the critical question of market preference, exploring why many African consumers still gravitate toward international fashion brands over local designers. This discussion will examine strategies for building strong African fashion brands that can effectively compete with imported products, particularly those from China's manufacturing sector.
A significant portion of the dialogue will focus on fostering collaboration among African fashion designers and manufacturers. Participants will discuss strategies for combating counterfeit products and establishing robust intellectual property protection mechanisms across the continent. The session will also explore ways to strengthen intra-African trade in the fashion sector, leveraging the African Continental Free Trade Area (AfCFTA) agreement.
Discussions during the Hub of Africa Fashion Week 2024 [Photo Credit: HAFW]
Leading industry experts will share insights on:
- Building sustainable fashion businesses in Africa
- Developing efficient supply chains and distribution networks
- Leveraging technology for market expansion
- Creating effective brand strategies for local and international markets
- Establishing quality standards and certification processes
This event represents a crucial step toward strengthening Africa's position in the global fashion industry. Participants will have the opportunity to network with industry leaders, explore potential partnerships, and contribute to shaping the future of African fashion.
Registration for this exclusive event is limited, and interested participants are encouraged to secure their spots early. For more information about registration and participation, industry professionals can contact The Hub of Africa Fashion Week 2025
In the picture, the first from the right is Ms Linda Murithi from the Core Round Table Talks- Kenya who will be engaging in a roundtable on The Business of Fashion – Trading in Africa & Beyond [Photo Credit: LM]
The discussions are expected to yield actionable recommendations for industry stakeholders, policymakers, and investors interested in Africa's fashion sector. The outcomes will be documented and shared with relevant stakeholders to guide future industry development initiatives. This landmark event underscores the growing importance of Africa's fashion industry and its potential to contribute significantly to the continent's economic growth and cultural expression on the global stage.
Participants taking a picture after the conference organized by the Hub of Africa Fashion Week in 2024
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